Skip to main content

A Good Place to Start

Is at the beginning.

In 1894 Australians got their first glimpse of a future that they would never have dreamed of. At 148 Pitt Street in Sydney James McMahon opened a Kinetoscope Parlour. There were 5 machines each running a different title and for a Shilling each the public could make their way to each machine. Approx 20,00o people parted with their shillings and visited the parlour in the first 4 weeks alone, new films were advertised each week. In 1895 the other cities of Australia got their chance to see this new sensation when the 5 machines toured Australia. But the real beginnings of cinema in Australia were at the Vaudleville and Music halls where films would be used as Chasers, just as they were being used in other countries such as America, and like America the Chasers turned out to be just as popular as the acts themselves and they did not serve their actual role; people stayed to watch them rather than leave to allow a new audience to enter the halls.

In 1895 Talkies came to Australia in the form of the Kinephone (which is basically a combination of Edison Phonograph and the Kinetoscope) carefully the Edisons were synchronised to match the film and people were able to hear though earpieces, although from all accounts the sound was not great.

Carl Hertz was the first person to ever project film in Australia. On the 22nd August 1896 at the Harry Rickards' Melbourne Opera House.

Hertz was on a world tour having already visited Britian and South Africa. The images was noted by the press as being "much slower than we would find in nature". Hertz was not a showman, he was in actual fact a travelling American Magican.

Comments

Anonymous said…
OK

Popular posts from this blog

The Cinema of Attractions.

 There is a period in film history sandwiched between the Lumiere Brothers and the beginning of the studio era that the film theorist Tom Gunning calls an era of the ‘cinema of attractions’.  This is a theory used to describe films that are not narrative driven, but rather are driven by the need to amaze, a need to exhibit, a need to acknowledge their audience. This essay will examine the technology behind film, the desideratum for these films to exhibit, as well as the cultural context of film during this period and it will consider the theory behind ‘cinema of attractions’. In the mid-eighteenth century shadow theatre had arrived in Europe and was at once very popular with audiences (Robinson 1981, p. 2). Magic lanterns go back to the seventeenth century when exhibitors would tour cities and towns (Robinson 1981, p. 9).  Whilst invention after invention came and went, it could be argued that it was the invention of photography in 1826 that is the true basis of film as w...

A VISIT TO THE ARCHIVES -secrets and treasures.

Today I paid my first visit to the Archives of South Australia.   If you are interested, I am researching picture theatres of South Australia as part of another blog I have  -  History of South Australian Picture Theatres – History, South Australia, Picture Theatres (wordpress.com) .  I love this blog I have been adding to it slowly and yes I admit, at times very slowly, over some years.   Most of my research has been through Trove, some books that I own copies of, and the odd interviews that I have done. Also, as I am a member of  CATHS (Cinema and Theatre Historical Society), I can access their archives too - which is incredibly helpful - if you are interested at all in Cinema and the preservation of the history of cinema I highly recommend you join.   Anyway, today I visited the State Records of South Australia and was able to look at some records which are held there.  What I find really fascinating is that by looking at records...