Skip to main content

HARRY LANGDON

If I said the name Harry Langdon would you know it? Now I'm not talking about Harry Langdon Jr here, the celebrated photographer but rather his father the 1920s silent comedian. Harry Langdon Snr came to the movies quite late really, he was about 40 before he made his first movie. He ended up at Sennett Studios after working with Sol Lesser at another studio. Mack said that Harry was the greatest comedian that he had ever seen, having worked with a few above-average comedians such as Charlie Chaplin, Mabel Normand and Roscoe Arbuckle to name a few, Mack should have known a comedian when he saw one, so this statement has some weight behind it. Hal Roach had shown interest too in Langdon. 

Initially, Harry didn't really get to do much at Sennett, but stand around and do a couple of silly things with the legendary Sennett Bathing Beauties filling in the space about him. But soon Harry got to be Harry and slowly you see his character coming out more and more, Mack must have been letting loose the noose. Harry didn't stay long at Sennett before moving on to bigger and better things, Mack never paid his talent the money they deserved, so he lost them all. Three movies in Harry's career are his most famous, The Strong Man, Tramp Tramp Tramp and Long Pants all made for First National with Frank Capra as his director. Harry had first met Frank at Sennett and together they made the move to First National. Frank went on to say some pretty dreadful things about Harry's ego, whether it is true or not we will never really know. What we do know is that after Frank's departure, Harry's next movies were not successful. I don't believe this was all due to Capra's departure. Harry showed in Long Pants that he loved dark comedy and he continued down that road, perhaps it was all just bad timing, or perhaps he did go too far. Stan Laurel was good friends with Harry until Langdon's death in 1944, Langdon wrote several times for L&H and you cannot fail to see the influence of Langdon's "Elf" on Laurel's character.

It's just too bad that Harry didn't live to get the recognition that first would have come in 1949 with the publishing of the article by James Agee in Life Magazine, the same article that helped place Buster Keaton back on top. Nor did he get to put forward his version of the Capra story. Dont' get me wrong he didn't die a sad, lonely man, or even dirt poor. I just lament that he missed out on rediscovering of his work, he missed the second applause. It's nice to know that there are fans out there, loads of us, enough of us that this year a wonderful collection of Harry's movies from his Sennett years has been released, The Harry Langdon Collection Lost and Found, I got mine from Amazon. And later in the year, even more of Harry's work will be released. It's his face, his smile the way he tips his hat. I just love Harry
 Langdon and I hope that you do too

Comments

Popular posts from this blog

The Cinema of Attractions.

 There is a period in film history sandwiched between the Lumiere Brothers and the beginning of the studio era that the film theorist Tom Gunning calls an era of the ‘cinema of attractions’.  This is a theory used to describe films that are not narrative driven, but rather are driven by the need to amaze, a need to exhibit, a need to acknowledge their audience. This essay will examine the technology behind film, the desideratum for these films to exhibit, as well as the cultural context of film during this period and it will consider the theory behind ‘cinema of attractions’. In the mid-eighteenth century shadow theatre had arrived in Europe and was at once very popular with audiences (Robinson 1981, p. 2). Magic lanterns go back to the seventeenth century when exhibitors would tour cities and towns (Robinson 1981, p. 9).  Whilst invention after invention came and went, it could be argued that it was the invention of photography in 1826 that is the true basis of film as w...

Christ Stopped at Eboli (1979) Dir. Francesco Rosi

I've recently studied Italian cinema at University.  We watched several films with an eco-cinema gaze on the films. We watched some amazing films and I have to say it was one of my favourite courses that I did, except for the last essay (I struggled with that). The films that I watched are The Four Times (Le Quattro Volte) Director: Michelangelo Frammartino, The Consquences of Love (Le Conseguenze dell'amore) Director Paolo Sorrentino, The Wonders (Le maraviglie) Director: Alice Rohrwacher, The Great Beauty (La grande bellezza) Director Paolo Sorrentino , Basilcata Coast to Coast - Director Rocco Papaleo, I am Love (Lo soon L'amore) Director: Luca Guadagnino and Gemorrah (Gomorro) Director:Matteo Garron. And I loved each and every one. One of the films led me to a film that I hadn't watched. Basilicata Coast to Coast is a road trip comedy about a group of musicians and a journalist that travel by foot from one side of the region of Basilicata, Italy, to the othe...